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AFFORDABLE BLACKMAGIC EQUIPMENT. Broadcast Engineer standing by for queries.

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SKU: BLA-CINEURSAMWC6KG2

Blackmagic Design URSA Broadcast G2

R 106,201.35
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Blackmagic Design URSA Broadcast G2

The Blackmagic Design URSA Broadcast G2 is a versatile "3-in-1" camera system that functions as a 4K Broadcast Production Camera, a 4K Live Studio Camera, and a 6K Digital Film Camera.

By combining the cinematic image quality of the URSA Mini Pro series with traditional broadcast ergonomics and connections, the G2 is designed for users who need to switch between high-end digital film and fast-paced live television.

Core Functionality: 3 Cameras in 1

  1. Broadcast Production: Equipped with a standard B4 mount and 2/3" sensor window, it works with the massive library of broadcast ENG and box lenses already owned by networks.

  2. Live Studio: Includes full remote control, a built-in YRGB color corrector, and compatibility with Blackmagic Studio Fiber Converters.

  3. Digital Cinema: Features a 6K Super 35 sensor and interchangeable lens mounts (EF included, PL/F available). Recording in 12-bit Blackmagic RAW delivers "Hollywood" quality for commercial or film work.

Key Technical Specifications

Feature Details
Sensor Size 23.10mm x 12.99mm (6K Super 35)
Dynamic Range 13 Stops
Dual Native ISO 0dB (400 ISO) and 18dB (3,200 ISO) — Max +36dB (25,600 ISO)
Lens Mount B4 (Installed), Active EF (Included), PL and F (Optional)
ND Filters Four-position wheel: Clear, 2, 4, and 6-stop filters
Video I/O 12G-SDI In, 12G-SDI Out, 12G-SDI Monitor Out
Internal Recording 2 x CFast 2.0, 2 x SD UHS-II, 1 x USB-C (External SSD)
Codecs Blackmagic RAW, ProRes (422 HQ, 422), H.265, H.264

Modern Streaming & Cloud Features (2026)

The G2 has evolved into a powerful remote node for modern broadcasters:

  • Direct Live Streaming: Supports SRT and RTMP protocols directly from the camera via the USB-C port (using 5G mobile data tethering or Ethernet adapters).

  • Blackmagic Cloud Integration: Automatically uploads small H.264 proxy files while the camera is recording, allowing editors anywhere in the world to begin cutting footage moments after a take.

  • Web API Control: Supports the Blackmagic REST API for custom automation and remote camera management over a network.

Included Accessories & Mounting

Unlike many other models, the URSA Broadcast G2 includes several critical professional parts in the box:

  • URSA Mini Shoulder Kit: Includes the shoulder pad, baseplate with rosette, and top handle.

  • EF Mount: Allows you to swap the broadcast B4 mount for photo lenses immediately.

  • V-Lock Battery Plate: Pre-installed for industry-standard power solutions.

Operational Insight

In 2026, the G2 is frequently used in "hybrid" setups where cinematic depth-of-field is desired for sports or live concerts. Because you can swap to a PL mount, you can use cinema glass for the "Hero" shots while using standard B4 lenses for the wider action, all using the same camera body for consistent color matching.

Pro Tip: When using B4 lenses, the camera utilizes a 4K "window" of the sensor. If you want to use the full 6K resolution, you must switch to the EF or PL mount to cover the larger sensor area.


Blackmagic

Blackmagic Design URSA Broadcast G2

R 106,201.35

Blackmagic Design URSA Broadcast G2

The Blackmagic Design URSA Broadcast G2 is a versatile "3-in-1" camera system that functions as a 4K Broadcast Production Camera, a 4K Live Studio Camera, and a 6K Digital Film Camera.

By combining the cinematic image quality of the URSA Mini Pro series with traditional broadcast ergonomics and connections, the G2 is designed for users who need to switch between high-end digital film and fast-paced live television.

Core Functionality: 3 Cameras in 1

  1. Broadcast Production: Equipped with a standard B4 mount and 2/3" sensor window, it works with the massive library of broadcast ENG and box lenses already owned by networks.

  2. Live Studio: Includes full remote control, a built-in YRGB color corrector, and compatibility with Blackmagic Studio Fiber Converters.

  3. Digital Cinema: Features a 6K Super 35 sensor and interchangeable lens mounts (EF included, PL/F available). Recording in 12-bit Blackmagic RAW delivers "Hollywood" quality for commercial or film work.

Key Technical Specifications

Feature Details
Sensor Size 23.10mm x 12.99mm (6K Super 35)
Dynamic Range 13 Stops
Dual Native ISO 0dB (400 ISO) and 18dB (3,200 ISO) — Max +36dB (25,600 ISO)
Lens Mount B4 (Installed), Active EF (Included), PL and F (Optional)
ND Filters Four-position wheel: Clear, 2, 4, and 6-stop filters
Video I/O 12G-SDI In, 12G-SDI Out, 12G-SDI Monitor Out
Internal Recording 2 x CFast 2.0, 2 x SD UHS-II, 1 x USB-C (External SSD)
Codecs Blackmagic RAW, ProRes (422 HQ, 422), H.265, H.264

Modern Streaming & Cloud Features (2026)

The G2 has evolved into a powerful remote node for modern broadcasters:

  • Direct Live Streaming: Supports SRT and RTMP protocols directly from the camera via the USB-C port (using 5G mobile data tethering or Ethernet adapters).

  • Blackmagic Cloud Integration: Automatically uploads small H.264 proxy files while the camera is recording, allowing editors anywhere in the world to begin cutting footage moments after a take.

  • Web API Control: Supports the Blackmagic REST API for custom automation and remote camera management over a network.

Included Accessories & Mounting

Unlike many other models, the URSA Broadcast G2 includes several critical professional parts in the box:

  • URSA Mini Shoulder Kit: Includes the shoulder pad, baseplate with rosette, and top handle.

  • EF Mount: Allows you to swap the broadcast B4 mount for photo lenses immediately.

  • V-Lock Battery Plate: Pre-installed for industry-standard power solutions.

Operational Insight

In 2026, the G2 is frequently used in "hybrid" setups where cinematic depth-of-field is desired for sports or live concerts. Because you can swap to a PL mount, you can use cinema glass for the "Hero" shots while using standard B4 lenses for the wider action, all using the same camera body for consistent color matching.

Pro Tip: When using B4 lenses, the camera utilizes a 4K "window" of the sensor. If you want to use the full 6K resolution, you must switch to the EF or PL mount to cover the larger sensor area.


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