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SKU: HOL-LARK-MAX2-COMBO-4P-SG

Hollyland LARK MAX 2 Combo 4-Person Wireless Microphone System for Cameras and Mobile Devices (Space Gray, 2.4 GHz)

R 8,253.55
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The Hollyland LARK MAX 2 Combo 4-Person System is a major workflow upgrade for multi-speaker productions like panel podcasts, group interviews, and multi-talent video shoots. Historically, managing four wireless mics meant juggling multiple receivers or bulky mixers; this system consolidates everything into a single, high-performance ecosystem.

Key Technical Breakthroughs

  • True 4-Person Architecture: A single receiver seamlessly pairs with all four clip-on transmitters simultaneously.

  • Full-Chain 32-Bit Float Audio: The system processes and transmits 32-bit float audio, providing massive dynamic range. Even if a speaker goes from a whisper to a sudden shout, the audio won't clip or distort.

  • Dual Receiver Versatility: The kit includes both a traditional camera-mount receiver (with an LCD screen and 3.5mm TRS output) and a direct plug-in USB-C receiver for immediate mobile device or laptop setup.

  • Deep-Learning AI Noise Cancellation: Offers stepless ambient noise reduction from 5dB to 25dB, cleanly isolating vocal frequencies from distracting background environments.

  • Standalone Recording & Timecode: Each of the 14-gram transmitters features internal storage (up to 10 hours of 32-bit float backup audio) and built-in timecode support, keeping your files flawlessly synced in post-production.

Core Specifications

  • Transmission Range: Up to 1,115 ft (340 m) Line-of-Sight

  • Audio Resolution: 48 kHz / 32-bit Float

  • Max SPL: 128 dB (Handles high volumes effortlessly)

  • Latency: Ultra-low 20 ms maximum

  • Battery Life: 11 hours per transmitter / 36 hours total with charging case

  • Weight: Transmitters: 14g each | Camera Receiver: 24g

Pro Tip for Post-Production: Take full advantage of the internal transmitter recording. If you encounter unexpected RF interference in a crowded venue, you can simply pull the uncompressed, un-clipped 32-bit float backup files straight from the microphones during editing.

Hollyland

Hollyland LARK MAX 2 Combo 4-Person Wireless Microphone System for Cameras and Mobile Devices (Space Gray, 2.4 GHz)

R 8,253.55

The Hollyland LARK MAX 2 Combo 4-Person System is a major workflow upgrade for multi-speaker productions like panel podcasts, group interviews, and multi-talent video shoots. Historically, managing four wireless mics meant juggling multiple receivers or bulky mixers; this system consolidates everything into a single, high-performance ecosystem.

Key Technical Breakthroughs

  • True 4-Person Architecture: A single receiver seamlessly pairs with all four clip-on transmitters simultaneously.

  • Full-Chain 32-Bit Float Audio: The system processes and transmits 32-bit float audio, providing massive dynamic range. Even if a speaker goes from a whisper to a sudden shout, the audio won't clip or distort.

  • Dual Receiver Versatility: The kit includes both a traditional camera-mount receiver (with an LCD screen and 3.5mm TRS output) and a direct plug-in USB-C receiver for immediate mobile device or laptop setup.

  • Deep-Learning AI Noise Cancellation: Offers stepless ambient noise reduction from 5dB to 25dB, cleanly isolating vocal frequencies from distracting background environments.

  • Standalone Recording & Timecode: Each of the 14-gram transmitters features internal storage (up to 10 hours of 32-bit float backup audio) and built-in timecode support, keeping your files flawlessly synced in post-production.

Core Specifications

  • Transmission Range: Up to 1,115 ft (340 m) Line-of-Sight

  • Audio Resolution: 48 kHz / 32-bit Float

  • Max SPL: 128 dB (Handles high volumes effortlessly)

  • Latency: Ultra-low 20 ms maximum

  • Battery Life: 11 hours per transmitter / 36 hours total with charging case

  • Weight: Transmitters: 14g each | Camera Receiver: 24g

Pro Tip for Post-Production: Take full advantage of the internal transmitter recording. If you encounter unexpected RF interference in a crowded venue, you can simply pull the uncompressed, un-clipped 32-bit float backup files straight from the microphones during editing.

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