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SKU: LIB-A-12P

Libec 12pin adapter

R 6,410.10
Tax included Shipping calculated at checkout.

The Libec A-12P is a professional 12-pin electronic adapter cable. It acts as an 8-pin female to 12-pin male conversion bridge, allowing standard 8-pin ENG lens remote zoom controllers (demands) to interface natively with premium Fujinon broadcast lenses equipped with Hirose 12-pin control sockets.

Core Features & Practical Utility

  • Cross-Standard Control Connectivity: Standard remote zoom handles (like the Libec ZC-9Pro or ZC-9EX) use an industry-standard 8-pin layout optimized for standard Canon and Fujinon ENG lenses. The A-12P converts that 8-pin terminal to a 12-pin layout, making it possible to control high-end Fujinon broadcast and studio box lenses using your existing 8-pin hardware.

  • Full Protocol & Multi-Signal Integrity: The internal pin layout passes variable-speed servo voltage curves, Record Start/Stop commands, and Return video signals without introducing command lag or signal interruption.

  • Legacy Rear-Command Interface: In addition to current controllers, the adapter is frequently used in broadcast studio configurations to hook older, classic remote control handles (like the legacy Libec PH-9) directly to modern 12-pin multi-signal lens servo systems.

Hardware Technical Specifications Matrix:

Parameter Libec A-12P Specifications
Model Number A-12P
Connector 1 (Input) 1x 8-Pin Female Receiver
Connector 2 (Output) 1x 12-Pin Male Connector (Hirose standard)
Primary Target Compatibility Fujinon Broadcast Lenses with 12-Pin Sockets
Primary Controller Matching Libec ZC-9Pro, ZC-9EX, and classic PH-9 handles
Net Component Weight 0.09 pounds or 43 grams

The Libec Broadcast Cable Family Sizing Lineup:

Depending on the specific studio camcorder or lens configuration you are running on set, Libec breaks down their system conversion cables into three specific target builds:

  • Libec A-12P (This Model): Converts 8-pin controllers to Fujinon 12-pin broadcast lenses.

  • Libec A-9EX: Converts 8-pin controllers to proprietary Sony PMW-EX multi-pin camera bodies (like the EX1/EX3).

  • Libec A-20P: Converts 8-pin controllers to modern Canon 20-pin broadcast/cinema lenses.

💡 Operational System Tips for the A-12P:

The Connector Sleeve Lock Check: Hirose 12-pin broadcast connectors utilize a spring-loaded outer metal locking sheath. When plunging the 12-pin male end of the A-12P into your Fujinon lens socket, align the internal physical guide keyway slot, push straight inward until you hear a mechanical click, and verify the sliding collar slides forward into place. Never twist or rotate the connector barrel forcefully if you feel initial resistance, as doing so can bend or snap the miniature gold interface needles inside.

  • Set the Correct Voltage Protocol: When utilizing this adapter with a dual-protocol zoom handle (like the ZC-9Pro), ensure the small mechanical slider toggle marked "F / C" (Fujinon / Canon) on the side of the remote housing is pushed firmly to the "F" (Fujinon) position before powering on your camera rig. This ensures the electronic voltage curve tracks properly and prevents the zoom rocker from running backward.

Libec

Libec 12pin adapter

R 6,410.10

The Libec A-12P is a professional 12-pin electronic adapter cable. It acts as an 8-pin female to 12-pin male conversion bridge, allowing standard 8-pin ENG lens remote zoom controllers (demands) to interface natively with premium Fujinon broadcast lenses equipped with Hirose 12-pin control sockets.

Core Features & Practical Utility

  • Cross-Standard Control Connectivity: Standard remote zoom handles (like the Libec ZC-9Pro or ZC-9EX) use an industry-standard 8-pin layout optimized for standard Canon and Fujinon ENG lenses. The A-12P converts that 8-pin terminal to a 12-pin layout, making it possible to control high-end Fujinon broadcast and studio box lenses using your existing 8-pin hardware.

  • Full Protocol & Multi-Signal Integrity: The internal pin layout passes variable-speed servo voltage curves, Record Start/Stop commands, and Return video signals without introducing command lag or signal interruption.

  • Legacy Rear-Command Interface: In addition to current controllers, the adapter is frequently used in broadcast studio configurations to hook older, classic remote control handles (like the legacy Libec PH-9) directly to modern 12-pin multi-signal lens servo systems.

Hardware Technical Specifications Matrix:

Parameter Libec A-12P Specifications
Model Number A-12P
Connector 1 (Input) 1x 8-Pin Female Receiver
Connector 2 (Output) 1x 12-Pin Male Connector (Hirose standard)
Primary Target Compatibility Fujinon Broadcast Lenses with 12-Pin Sockets
Primary Controller Matching Libec ZC-9Pro, ZC-9EX, and classic PH-9 handles
Net Component Weight 0.09 pounds or 43 grams

The Libec Broadcast Cable Family Sizing Lineup:

Depending on the specific studio camcorder or lens configuration you are running on set, Libec breaks down their system conversion cables into three specific target builds:

  • Libec A-12P (This Model): Converts 8-pin controllers to Fujinon 12-pin broadcast lenses.

  • Libec A-9EX: Converts 8-pin controllers to proprietary Sony PMW-EX multi-pin camera bodies (like the EX1/EX3).

  • Libec A-20P: Converts 8-pin controllers to modern Canon 20-pin broadcast/cinema lenses.

💡 Operational System Tips for the A-12P:

The Connector Sleeve Lock Check: Hirose 12-pin broadcast connectors utilize a spring-loaded outer metal locking sheath. When plunging the 12-pin male end of the A-12P into your Fujinon lens socket, align the internal physical guide keyway slot, push straight inward until you hear a mechanical click, and verify the sliding collar slides forward into place. Never twist or rotate the connector barrel forcefully if you feel initial resistance, as doing so can bend or snap the miniature gold interface needles inside.

  • Set the Correct Voltage Protocol: When utilizing this adapter with a dual-protocol zoom handle (like the ZC-9Pro), ensure the small mechanical slider toggle marked "F / C" (Fujinon / Canon) on the side of the remote housing is pushed firmly to the "F" (Fujinon) position before powering on your camera rig. This ensures the electronic voltage curve tracks properly and prevents the zoom rocker from running backward.

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